The comment in the article/issue: Missing Cultures & Communities in SL5B.
When the Linden’s came for the Goreans,
I remained silent;
I was not a Gorean.
I remained silent;
I was not a Gorean.
When they excluded up the role-players,
I remained silent;
I was not a role player.
When they came for the child avatars,
I did not speak out;
I was not a child avatar.
When they came for the furries,
I remained silent;
I wasn’t a furry.
When they came for me,
there was no one left to speak out.
這首詩作品的原文在 wikipedia：“First they came…”.
虛擬世界中的言論自由與個人隱私，相對於社會如何平衡？對於想要更了解這個議題跟前一篇文章的插圖，虛擬《真善美》（The Sound of Music）家庭演唱會，在 Secondlife 裡面的意義的朋友，請參考這篇文章：SL5B Continued Breaking Up the Families。
“you can’t have a picture of a child and an adult in the same picture.”
背景的資料建議閱讀：英文維基百科的 Second life 條目（特別是關於「兒童性議題與色情」的段落），以及對 Secondlife 的批評。
（更有趣的典故：von Trapp 一家人最後是在演唱會後消失了，逃離納粹的魔掌…這個消失，對比 SL 中社群、文化與人形替身的消失….美國國家檔案局有收藏這家人的真實故事，這部電影也成為國家數位典藏的收藏品。）
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